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Five Novels with Nostalgic British Settings

By 23rd December 2019Articles, Lifestyle, News

This time of year, when the chimney pots are hot and there’s a half-finished ham in the fridge, is the high season for armchair travel. Here are five novels with an enveloping sense of place—from student common rooms at Oxford to rain-lashed Suffolk hillsides—in Britain.

Penguin Classics

Cold Comfort Farm by Stella Gibbons


After the deaths of both her parents, Flora Poste goes to stay with relatives on a gloomy farm in Sussex, where she is determined to introduce “the higher common sense” to her hosts. The narrative is a parody of the heavy-handed countryside melodramas that were popular in the 1920s, but no less atmospheric for that—and roll-past-your-bus-stop funny.

Hodder & Stoughton Publishers

Gaudy Night by Dorothy L. Sayers


Poison pen letters ignite a mystery at a women’s college at Oxford University. Sayers was one of the first female students at Oxford, and she evokes the dining halls and picnic punts—and the uneasy reception of lady scholars—with the sharp eyes of an insider.

Penguin Vintage Classics

I Capture the Castle by Dodie Smith


The Mortimer family live in genteel deprivation in the castle of the title, steadily selling off the furniture until their glamorous American landlords move nearby and the possibility of a marriage dangles. Smith wrote this novel while abroad in California, and her sleepy Suffolk countryside is thick with bluebells and rolling mists (romantic in summer, sad in autumn, she says).

Little Brown Publishers

44 Scotland Street by Alexander McCall Smith


Originally published as a weekday serial in The Scotsman newspaper, the novel follows a handful of characters who live at 44 Scotland Street as they move through highly recognisable, present-day Edinburgh, even encountering some of its real-life residents.

Wordsworth Classics

Mrs Dalloway by Virginia Woolf


Over the course of a day in June, Clarissa Dalloway prepares for a party at her house in Westminster. The mood in London between the wars is euphoric and unsettled, and Woolf summons the buses and shops and street noise with zingy, knowing poetry.

Article written by Jo Rodgers, a contributor to Vogue and Condé Nast Traveller.

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